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The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution
The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution
22,69 €
26,69 €
  • Išsiųsime per 10–14 d.d.
New York Times 'Best Art Books' 2020 'Essential' – Sunday Times 'Brilliantly enraged' - New York Review of Books 'A real game-changer'– EconomistWalk into any Western museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objects are all stolen.Few artefacts embody this history of rapacious and extractive colonialism better than the Benin…
22.69 2025-06-15 23:59:00
  • Autorius: Dan Hicks
  • Leidėjas
  • Metai: 2021
  • Puslapiai: 368
  • ISBN-10 : 0745346227
  • ISBN-13 : 9780745346229
  • Formatas: 12.8 x 19.8 x 3.2 cm, minkšti viršeliai
  • Kalba: Anglų
  • Extra -15 % nuolaida šiai knygai su kodu: ENG15

The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution | knygos.lt

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New York Times 'Best Art Books' 2020
'Essential' – Sunday Times
'Brilliantly enraged' - New York Review of Books
'A real game-changer'– Economist

Walk into any Western museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objects are all stolen.

Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of metal plaques and sculptures depicting the history of the Royal Court of the Obas of Benin City, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections.

The Brutish Museums sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. Since its first publication, museums across the western world have begun to return their Bronzes to Nigeria, heralding a new era in the way we understand the objects of empire we once took for granted.

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New York Times 'Best Art Books' 2020
'Essential' – Sunday Times
'Brilliantly enraged' - New York Review of Books
'A real game-changer'– Economist

Walk into any Western museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objects are all stolen.

Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of metal plaques and sculptures depicting the history of the Royal Court of the Obas of Benin City, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections.

The Brutish Museums sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. Since its first publication, museums across the western world have begun to return their Bronzes to Nigeria, heralding a new era in the way we understand the objects of empire we once took for granted.

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